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Bill Watters • 12/19/19
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I’ve been sitting here for a while reflecting on the experience that was seeing Universal Pictures anthropomorphic CGI showcase “Cats” and how to translate it into some kind of coherent review. Let’s go back to the general description in Playbill of the original stage musical by Andrew Lloyd Webber from it’s release back in 1982: Cats […]
Bill Watters • 12/18/19
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If you want to know utterly nothing else about “Star Wars: The Rise of Skywalker,” other than the most basic answer to your question: Yes, it’s good. It delivers an ending that’s satisfying though imperfect, and it does so with a style and grace that is admirable given all the forces (pun non-intentional) at work […]
Bill Watters • 12/13/19
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With a third installment in the “Jumanji” franchise, “Jumanji: The Next Level,” has the same effect as when you’ve played a new game and had a blast of a time, then go back to it a few months later and play it again. Now only to find that now the clever elements have been experienced, […]
Bill Watters • 11/27/19
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“Knives Out” is the exact type of counter-programming that was needed for the long Thanksgiving weekend. Written and Directed by Star Wars: The Last Jedi’s Rian Johnson, this is a throwback to the types of murder mystery-whodoneit that we haven’t really seen in a while. It’s closer to a drama than a black-comedy, but there’s […]
Bill Watters • 11/22/19
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Tom Hanks as an actor is one of those who you rarely lose sight of as they vanish into a character, you generally just see the actor as themselves on screen. However this is one of those times that within the first few minutes of his appearance on the screen, and you remember the quirks […]
Bill Watters • 11/08/19
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The long awaited film adaptation of Stephen King’s “Doctor Sleep” (the sequel to the classic “The Shining“) is a really pretty solid flick for what it is. It should be expressed, however, that what this represents isn’t another horrific delving into a psychological breakdown, but rather a somewhat more adventure-based thriller with aspects of horror […]
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