SHOWING >> Reviews
Bill Watters • 11/08/19
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The long awaited film adaptation of Stephen King’s “Doctor Sleep” (the sequel to the classic “The Shining“) is a really pretty solid flick for what it is. It should be expressed, however, that what this represents isn’t another horrific delving into a psychological breakdown, but rather a somewhat more adventure-based thriller with aspects of horror […]
Bill Watters • 11/08/19
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“Ford v Ferrari” is the kind of studio vehicle that feels like it was engineered to earn award nominations nearly as much as the Ford GT40 was tailor-made to compete at Le Mans. From its leads Matt Damon and Christian Bale as race-car designer Carroll Shelby and driver Ken Miles, to the slow establishment of […]
Bill Watters • 11/01/19
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“Terminator,” like “Alien” and “Halloween,” has been a storied franchise; a classic original and a highly regarded second installment, only to have its various follow-on sequels be far less successful. Now we’ve arrived at movie number 6 with “Terminator: Dark Fate,” and finally have something that can be looked on as a suitable successor to the […]
Bill Watters • 10/25/19
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Let me open up by saying that “Countdown” is not by any stretch a bad film. It’s got some decent runs of jump scares as well as tension, however its PG-13 rating keeps it firmly rooted on the lighter side of the “blood and gore” rating’s fence. As a first time feature film outing by […]
Bill Watters • 10/18/19
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When the first “Zombieland” shambled onto screens back in 2009, the cinematic and television landscapes weren’t quite so saturated with the legions of the living dead as they are now. That was so long ago that AMC’s “The Walking Dead” wouldn’t yet premiere for another year. Back then Zombie films weren’t rare, to be sure, […]
Jeremy K • 10/16/19
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The first Maleficent film was a huge hit, and with good reason. Featuring good performances from the two leads, an ok script, and pretty good effects, it took something we knew and gave it its own spin. Too much these days, people are taking Disney to task for their live-action films and “mailing them in”. […]
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