SHOWING >> Reviews
Mary Anne Butler • 01/19/17
1922
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Here’s a twist: Split doesn’t suck! One of two things happen when you say “M. Night Shyamalan has a new movie coming out”.  You either laugh hysterically or pause and ask about the premise. Split sort of had both reactions, mostly because it’s been well over a decade since M. Night produced a film of substance, […]
Mary Anne Butler • 01/13/17
1046
0
20th Century Women is the film Boyhood SHOULD have been.  I’m not saying Boyhood was bad, but it didn’t deliver as high of an emotional impact for me personally.  Every generation will find something to relate to in this film, even though it takes place in 1979 primarily.  Some things are universal, like mothers who try their hardest […]
Mary Anne Butler • 01/10/17
1077
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Live By Night is a film adapted by Ben Affleck from the 2012 novel of the same name by Dennis Lehane.  Set in the 1920s and 1930s, the story follows Joe Coughlin (Ben Affleck), the prodigal son of a Boston police captain. After moving to Florida, he becomes a bootlegger and a rum-runner and, later, a notorious […]
Mary Anne Butler • 12/30/16
856
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A Monster Calls is not going to be the ‘must see’ film this holiday season. It really isn’t everyone’s cup of tea, and that is a downright shame. Probably one of the most beautiful trailers of the year, right behind Collateral Beauty: Based on Patrick Ness’s fantasy novel, A Monster Calls uses many of the late […]
Mary Anne Butler • 12/15/16
1143
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There are special snowflakes out there who will take ANY talk about Rogue One: A Star Wars Story as spoilers, so consider this your first warning that I will be talking about things that happen in the film. If you know your Star Wars, nothing in Rogue One will come as a shock, a surprise, or a spoiler. […]
Mary Anne Butler • 12/13/16
946
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Collateral Beauty has almost everything you could want from a holiday release.  Pretty decorated cast, promising premise, and a trailer that tugs the heartstrings. The story is pretty self explanatory from the trailer, grieving father Howard (Smith) is losing touch with the world and his company after the death of his 6 year old daughter. […]
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