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Paul Anthony Llossas • 09/26/16
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“I seek righteousness. But I’ll take revenge.” The above is stated by the widow Emma Cullen (Haley Bennett) in response to a question posed by bounty hunter Sam Chisolm (Denzel Washington). It is a declaration that acknowledges a desire for lofty aspirations, but opts instead for the banal; a sentiment that permeates The Magnificent Seven, […]
Paul Anthony Llossas • 08/01/16
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Eight years is a long time; especially in pop culture, more so in films, and most with franchise films which, by their very nature, tend to become more formulaic in execution as time goes on. And the longer the time, greater the frequency of the buzzword “reboot”. One need look no further than Sony’s Spider-Man […]
Paul Anthony Llossas • 07/21/16
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“Because life is so brief, and time is a thief, when you’re undecided….” – Rod Stewart; “Young Turks”. Torches are curious things both literally and figuratively. They burn. They are carried and passed on, serving as both honor and burden. They can conversely be inflammatory and inspirational. They burn brightly. They ebb. They die. They […]
Paul Anthony Llossas • 07/20/16
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Daylight. Gazing downward from Olympian height… Rows of abandoned, dilapidated, gutted houses… Empty unkempt, foreboding streets, intersecting; gloomily criss-crossing… Focus tightening; crystallizing in slow, measured descent… A hunched figure; seemingly Neanderthal… Inexorably dragging a still, unmoving body down a street…  Save for the crunch of disturbed gravel and asphalt, all is silence. Such is the imagery that sets the […]
Paul Anthony Llossas • 04/08/16
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Rarely does a film’s opening credits tell the audience exactly what sort of experience they’re in for. Hardcore Henry does exactly that with in-your-face, cringe-worthy, gleeful detail. It also implies that it’s about to offer a cinematic experience unlike any other; a declaration it lives up to. Told you it was in your face. You star as […]
Paul Anthony Llossas • 12/30/15
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It’s safe to say that Quentin Tarantino is one of, if not the, most successfully controversial filmmaker in the past twenty years or so.  With (now) eight films under his belt, he has yet to produce an uninteresting or unprofitable film. His use of dialogue and mood is practically textbook. His movies have started some […]
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