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“Don’t Panic”: Alamo Drafthouse’s Terror Tuesdays
Mary Anne Butler
• 01/20/16
1274
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(Editor’s Note: This comes to us from AC contributor Gwen “Gwendles-I-Will-Fight-You” Reza, who visited the brand new San Francisco location of the ever popular Alamo Drafthouse movie theater. I can’t wait to check the thing out.) I have a confession to make Aggressors, I love terrible B-movies. I love ridiculous, over-the-top gory Horror movies with […]
‘Suicide Squad’ Trailer Review
Rich Cassidy
• 01/20/16
1621
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Yesterday Warner Bros. Pictures released many things including the second trailer to Suicide Squad. After going around the internet it seems overall the population seems to now approve of the upcoming film. Part of me is excited but overall still skeptical to be 100% honest. I feel Queen’s Bohemian Rhapsody had a lot to do […]
‘The Revenant’ | AC Review
Rich Cassidy
• 01/08/16
1050
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The Revenant starring Leonardo DiCaprio has come out and here is our thoughts on the matter. Take a listen as Steph Cozza gives you the inside skinny on the film!
“The Forest”: Review, Semi-Spoilers
Mary Anne Butler
• 01/07/16
1672
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I need to start by complaining, and I’m sorry in advance. It seems to be an ongoing complaint that when I go to a screening (or even a regular showing), but the amount of entitled assholes (both sexes) who go to movies to talk at full volume and laugh during the ‘high tension’ moments is […]
“The Shannara Chronicles”: MTV’s Next Big Y/A Fantasy Series
Mary Anne Butler
• 01/05/16
1602
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I will start with saying I’ve not read the book series “The Original Shannara Trilogy” that this new series on MTV is based on. Most of the time, I have at least some passing understanding of the source material before I dive into watching a tv adaptation. But this time, I’m going off of my […]
“THE HATEFUL EIGHT”: Tarantino At His Best and Worst
Paul Anthony Llossas
• 12/30/15
1329
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It’s safe to say that Quentin Tarantino is one of, if not the, most successfully controversial filmmaker in the past twenty years or so. With (now) eight films under his belt, he has yet to produce an uninteresting or unprofitable film. His use of dialogue and mood is practically textbook. His movies have started some […]
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